Who is Mimar Sinan

Koca Mimar Sinan Ağa (Ottoman Turkish: قوجو معمار سنان آغا; Modern Turkish: Mimar Sinan) (15 April 1489 - 17 July 1588) was the chief Ottoman architect and civil engineer for sultans Suleiman I, Selim II, and Murad III. He was, during a period of fifty years, responsible for the construction or the supervision of every major building in the Ottoman Empire. More than three hundred structures are credited to his name, not including some more modest projects, such as his Koran schools (sibyan mektebs).
His masterpiece is the Selimiye Mosque in Edirne, although his most famous work is the Suleiman Mosque in Istanbul. He had under him an extensive governmental department and trained many assistants who, in turn, distinguished themselves, including Sedefhar Mehmet Ağa, architect of the Sultan Ahmed Mosque. He is considered the greatest architect of the classical period of Ottoman architecture, and is often compared to Michelangelo, his contemporary in the West The stature of Michelangelo and his plans for St. Peter's Basilica in Rome were well-known in Istanbul, since he (and also Leonardo da Vinci) received an invitation to build a bridge over the Golden Horn by the Ottoman Sultan Bayezid II in 1502. 

 

Sultanahmer Mosque

    The Sultan Ahmed Mosque (Turkish: Sultanahmet Camii) is a historical mosque in Istanbul, the largest city in Turkey and the capital of the Ottoman Empire (from 1453 to 1923). The mosque is popularly known as the Blue Mosque for the blue tiles adorning the walls of its interior.
It was built between 1609 and 1616, during the rule of Ahmed I. Like many other mosques, it also comprises a tomb of the founder, a madrasah and a hospice. While still used as a mosque, the Sultan Ahmed Mosque has also become a popular tourist attraction of Istanbul.

Architecture

       The design of the Sultan Ahmed Mosque is the culmination of two centuries of both Ottoman mosque and Byzantine church development. It incorporates some Byzantine elements of the neighboring Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period. The architect has ably synthesized the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour, but the interior lacks his creative thinking.

Interior